NEXT WORKING DAY DELIVERY - Please place orders before 2:30pm (midday for Roland products)
NEXT WORKING DAY DELIVERY - Please place orders before 2:30pm (midday for Roland products)
January 21, 2026 4 min read

Wide-format print service providers today are no longer just choosing a printer, they’re choosing a production strategy. As customer demand shifts toward faster turnaround, premium finishes, and more sustainable processes, UV printing has become the technology of choice for many sign and graphics businesses.
But why choose UV over Latex or Solvent, and how do two of the leading UV print-and-cut solutions - the Mimaki UCJV330-160 and Roland LG-640 - really differ?
64-inch Mimaki UCJV330-160 UV Printer / Cutter
64-inch Roland LG-640 UV Printer / Cutter
Latex and eco-solvent technologies have served the industry well for years (and continue to do so), but UV brings several fundamental advantages that directly impact productivity, profitability, and application range.
UV inks cure instantly under LED lamps unlike Solvent, which means:
No outgassing time
No waiting before lamination or cutting
Prints are ready to finish straight off the machine
This dramatically shortens production cycles and enables true same-day turnaround.
Because UV ink cures rather than dries:
There’s no heat-sensitive media distortion
Excellent adhesion to plastics, films, foils, wallpaper, and specialty substrates
Ideal for transparent and coloured materials
UV also excels on PVC-free and alternative media, supporting sustainability goals without compromising output quality.
Unlike Latex or Solvent, UV allows:
White ink printing without compromising on production speed
Clear ink for gloss, texture, and emboss effects
Fast multi-layer printing for day / night and backlit applications
This opens the door to higher-margin and premium products, as well as faster production.
Unlike Latex, both the Mimaki UCJV330-160 and Roland LG-640 combine printing and contour cutting in a single device.
This eliminates:
Re-registration errors
Manual handling between devices
Extra floor space requirements
For labels, decals, stickers, window graphics, and short-run signage, UV print-and-cut offers one of the most efficient workflows available.
While both machines share UV-LED print-and-cut technology, their strengths are clearly differentiated.

The UCJV330-160 is built around value-added print capability.
Up to 5-layer printing in a single workflow
Advanced use of white and clear inks
Industry-leading 2.5D emboss and texture effects
Mimaki’s approach prioritises visual impact and differentiation. Clear ink can be used not just as a gloss layer, but to create tactile textures, watermarks, and raised surfaces - perfect for retail signage, luxury branding, décor, and point-of-sale.
The Mimaki UCJV330 is fit with eight 1-litre ink bottles and runs at an average speed of 20 square metres per hour (when configured with Dual CMYK) or 5 square metres per hour (running two-layers with White ink). This speed remains the same whether printing CMYK then White (reverse-printed window graphics) or White > CMYK (typically used for front-facing transparent films or coloured stock).
Print businesses selling premium or decorative graphics
Customers demanding unique finishes
Window graphics, interior décor, POS, and short-run signage where appearance matters more than raw speed.
64-inch Mimaki UCJV330-160 UV Printer / Cutter

The LG-640 focuses on colour performance and streamlined production.
Flexible ink configurations, including Red, Orange, Gloss, and Primer
Expanded colour gamut for brand-critical work
One-pass multilayer capability for faster throughput
Strong automation and calibration features
Roland’s philosophy is about repeatability, colour accuracy, and productivity. The option to add Red and Orange inks helps hit difficult brand colours without complex profiling, while gloss and primer inks expand substrate compatibility and finishing options.
The Roland LG-640 is fit with eight 750ml ink bottles and runs at an average speed of 16 square metres per hour (when configured with Dual CMYK) or 8 square metres per hour (running two-layers with White ink).
It’s also worth noting that the arrangement of the printheads on the Roland LG-640 plays a pivotal role in the print speed. As the printheads are staggered, the print order needs to be identified ahead of installation. If White ink is introduced to the front printhead, this will apply White ink first, ideal for front facing graphics that need a White base layer. If White ink is introduced to the rear printhead, this will back graphics in White ink instead - this is the most common set up for reverse printed window graphics.
Whatever arrangement is prioritised will run at the most optimum speed. The secondary arrangement will need to feed the media back and forth in a ‘concertina’ motion to get both layers to align, which takes roughly twice as long (4 square metres per hour).
High-volume production environments
Brand-driven work requiring colour consistency
Labels, decals, signage, and packaging prototypes
64-inch Roland LG-640 UV Printer / Cutter
Rather than asking which machine is better, the real question is:
What kind of work do you want to produce?
If your business thrives on creative, high-value graphics that stand out visually and tactically, the Mimaki UCJV330-160 offers unmatched layered and textured print capabilities.
If your focus is efficient production, strong colour control, and broad application coverage, the Roland LG-640 delivers a powerful, dependable UV workflow.
Both represent a significant step forward from Latex or Solvent - not just in speed, but in what’s possible to print and sell.
To understand more about where Solvent and Latex hold their place in the industry, check out our Blog 'Solvent, UV Or Latex? Decisions, decisions…'
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