With these modern inkjet printers, we are often led to believe that everything that runs through them is plug and play. Press the big green button, listen to the machine whirr into life and watch as blank media at one side becomes perfect printed output at the other.
As digital printing has evolved and become more inventive in their print capacities, ink colour options and the number of cartridges is something we often get asked about.
We are often asked how to produce the acrylic photo blocks without a UV printer. It’s a popular question especially as we gather speed towards Christmas and the holiday season.
We’ve already covered digital wallpapers in this post, but I wanted to delve a little deeper into an innovative wall covering product from Drytac within their Retac range.
With each new launch there is the inevitable fanfare from every printer manufacturer but sometimes, we can be left not really knowing why the latest and greatest differs so much...
Although we touched upon some of this in our post on solvent vs latex, if you add UV into the mix (and if you’re shopping for new kit, why wouldn’t you?)...
As you look through our Roland sales information and on the product pages onlinehere, you’ll notice the new machines use something called TrueVIS technology.
Roland DG has appointed Granthams as a supplier for a number of its large-format printer/cutter solutions, the next stage in a long relationship between the two companies.
When it comes to digital print there are few companies who began right at the beginning and still remain relevant and active at the forefront today. Some big names have passed by becoming just a footnote in the history of the industry. (Encad and Kodak anyone?).
As discussed in a previous post on window graphics, white ink can be seen as something of a necessity when creating eye-catching window graphics. Use a clear self-adhesive vinyl or Viziprint Impress, print your customer’s message in full head-turning colour and back up in white...
